9月22日下午，“夹山改梁”在版画系展厅开幕。本次展览是中央美院版画和雕塑系的六人展览。展览的作品全部来自于他们的平常创作，和日常的思考。
On the afternoon of September 22nd, “Jasagala” opened at the Printmaking Department exhibition hall. This exhibition is a six-person exhibition of the Central Academy of Fine Arts’ Printmaking and Sculpture departments. The works in the exhibition are all from their everyday creations and daily thoughts.
展览现场 exhibition on site
陈逸飞作品 Chen Yifei’s works
“三张脸的冬瓜脑袋 Three-faced Winter Melon Head”
“三张脸的冬瓜脑袋 Three-faced Winter Melon Head”
陈映舟作品 Chen Yingzhou’s works
时长：3分28秒 Duration: 3 minutes and 28 seconds
“这是一首情歌，用“如果你保证你爱我”这句话唱出我对一个不存在的对象的爱。”
“This is a love song, using the phrase ‘if you promise you love me’ to express my love for a non-existent object.”
丁科作品
“漂浮的沉寂和焦虑”
“The floating stillness and anxiety”
方政作品
Changping Travelogue. 2017, copperplate printing on paper, several copies at 8.6*10.8cm
Changping Travelogue. 2017, copperplate printing on paper, several copies at 8.6*10.8cm
“客观媒介所记录的图像，比起“实在”本身，在我看来，更像是一种灵媒，连接了现实与记忆，知觉与情感，是一座平面化的纪念碑。”
“The images recorded by objective media, in my view, are more like a medium than the ‘reality’ itself, connecting reality and memory, perception and emotion. They are a flattened monument.”
Real Scene Shooting. 2017, mixed media, variable dimensions.
“这是原片。未经增改、拼接或调色的原片。但是伪造了图片的来源，伪造了作伪的过程，于是乎原片也变得不被信赖了。影像已然脱胎于物像，并不断蚕食着所谓的“现实”。”
“This is the original film, unmodified, unedited, and uncolored. However, the source of the image has been fabricated, and the process of falsification has been fabricated, so the original film has also become unreliable. The image has already been separated from the object, and constantly erodes the so-called ‘reality’.”
张鉴韬作品 Zhang Jiantao’s works
家乡自从零几年的时候开始举办创建文明城市活动，这组作品取自去街上观察创城活动带来的现象或形式物。我把这些无意识的景观选择几种动作转化为雕塑的形式。每一个独立的雕塑代表不同的景观和意义。
Since the beginning of the civilized city creation activities in my hometown in the early 2000s, this series of works is inspired by the phenomena or forms observed during the city creation activities on the streets. I transformed these unconscious landscape choices into the form of sculpture. Each independent sculpture represents different landscapes and meanings.
制作方法：
翻制被废弃的地砖，用石膏拓印背部的纹路。
磨一块碎的泡沫砖直至其没有棱角。
在木板写上同志软件上面的文字，再用丙烯覆盖。
把水泥浇筑在盒子里然后砸碎，再把碎块放入盒子重新浇筑，反复五次。
在LED屏幕输入在街上看到的关于创城的文字，重复其中的关键字，再混入流行音乐的歌词。铁管在一般人视线范围喷上银漆。
再现鞍山市公园门口的景观，并加入雾化器美化。
努力弯折钢筋缩小其尺寸，并连接商品袋子塑形的水泥。
在废弃快递木架子上涂上水泥，水泥随着时间而掉落。
Production methods:
Flip the discarded floor tiles and use plaster to copy the patterns on the back.
Grind a broken foam brick until it has no edges.
Write the words from the software on a piece of wood, and then cover it with acrylic.
Pour cement into a box and then smash it. Put the pieces back in the box and repeat the process five times.
Enter the text seen on the street about city creation on an LED screen, repeat the keywords, and mix in the lyrics of popular music. Spray silver paint on iron pipes in the range of ordinary people’s vision.
Reproduce the landscape at the entrance of the Anshan City Park and add a humidifier for beautification.
Bend and reduce the size of steel bars, and connect them with cement molded into the shape of a shopping bag.
Apply cement on an abandoned express delivery wooden frame, and let the cement fall off over time.
黎家齐作品 li Jiaqi’s works
“镜像出自己的房间，空间连同时间一起凝固。像是宇宙间多出的部分，它本身又获得了时空的自由。”
The mirror reflects one’s own room, and the space solidifies together with time. It’s like an extra part of the universe, and it itself has gained the freedom of space and time.
“小时候的一场台风把邻居家的梯子吹倒了，它砸碎了我们家天井的玻璃。现在还记得当时吹进屋子里的狂风和暴雨。这就是我决定在这个充满着上升和下降的能量的地方进行创作的原因。”
“When I was a child, a typhoon blew down our neighbor’s ladder, which smashed the glass on our patio. I still remember the howling wind and rain that blew into the house at that time. This is why I decided to create art in this place full of energy that goes up and down.”